
Actor
Tom Savini
Born 1946 · Pittsburgh, Pennsylvania, USA
Thomas Vincent "Tom" Savini (born November 3, 1946) is an American actor, stuntman, director, award-winning special effects and makeup artist. He is known for his work on the Living Dead films directed by George A. Romero, as well as Creepshow, The Burning, Friday the 13th, The Prowler, and Maniac. He directed the 1990 remake of Night of the Living Dead. Though officially retired from special effects, he has continued to direct, produce and star in several movies. Savini has been known to refer movie make-up effects projects to graduates of his school. He has appeared in films such as Dawn of the Dead (and its remake), From Dusk till Dawn, Grindhouse, and Machete.
Directed

Night of the Living Dead
Director · 1990

Creepshow
Director · 2019

Tales from the Darkside
Director · 1984

The Theatre Bizarre
Director · 2011
Chill Factor: House Call
Director · 2004

Tales from the Darkside
Director · 1990

Deadtime Stories
Director · 2009

George Romero's Golden Tales 3
Director · 1995

Nightmare City
Director
Acting

Django Unchained
Tracker · 2012

The Simpsons
Tom Savini (voice) · 1989

The Perks of Being a Wallflower
Mr. Callahan · 2012

From Dusk Till Dawn
Sex Machine · 1996

Dawn of the Dead
The Sheriff · 2004

Dawn of the Dead
Motorcycle Raider · 1978

Locke & Key
Locksmith · 2020

Planet Terror
Deputy Tolo · 2007

Grindhouse
Deputy Tolo (segment "Planet Terror") · 2007

Friday the 13th
Knife Killer (uncredited) · 1980

Machete
Osiris Amanpour · 2010

Terrifier 3
Bystander · 2024

Day of the Dead
Zombie with Scarf (uncredited) · 1985

Zack and Miri Make a Porno
Jenkins · 2008

Creepshow
Garbage Man #2 (segment "Epilogue") · 1982

Night of the Living Dead
(uncredited) · 1990

Land of the Dead
Machete Zombie · 2005

Friday the 13th: The Final Chapter
Jason (Hitchhiker Murder Scene) (uncredited) · 1984

NOS4A2
Snake · 2019

Machete Kills
Osiris Amanpour · 2013

Aqua Teen Hunger Force
Cop (voice) · 2000

Creepshow 2
The Creep · 1987

Maniac
Disco Boy · 1980

Martin
Arthur · 1978