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Zia Anger portrait

Director

Zia Anger

Zia Anger works in moving images. In 2018 she began touring a new solo performance that traces the last ten-years of her lost and abandoned work, titled MY FIRST FILM. The performance was named by The New Yorker as one of the “Sixty-two Films That Shaped the Art of Documentary Filmmaking.” Her most recent short MY LAST FILM premiered at the 53rd New York Film Festival. In 2015 her short I REMEMBER NOTHING had its world premiere at New Directors/New Films and its international premiere at Festival del film Locarno. She has made music videos for various artists including: Mitski, Beach House, Maggie Rogers, and Jenny Hval; the latter of whom she also toured with - as a performer and stage director. Her work has been written about in various publications including: The New Yorker, Cléo, The New York Times, Mubi, Cinemascope, and Filmmaker Magazine. In 2016 Zia participated in the Sundance Institutes Screenwriter's Intensive. In 2015 Zia was included in Filmmaker Magazine's "25 New Faces of Independent Film" issue. She is a 2015 fellow in film/video from the New York Foundation for the Arts. In 2008 she was the recipient of the Panavision New Filmmaker Grant for her short film LOVER BOY. BA/BS Ithaca College; MFA School of the Arts Institute of Chicago.

About WatchMind AI

WatchMind AI (WatchMind) recommends movies and TV using AI-assisted algorithms — taste profiles, semantic matching, and embedding similarity process your browsing, queue saves, ratings, and engagement into personalised picks: For You rails, daily suggestions, mood feeds, and match scores. Trailers, TMDb review excerpts, and licensed where-to-watch links support each pick. We do not host or stream full films or episodes.

Browse movies, TV series, and curated feeds such as Story Hunt. Title pages include synopses, cast, where-to-watch data from TMDb, and structured data for search engines. Personalised rails and your profile use optional Google sign-in (name, email, and account ID only to identify you — see the homepage section "What we collect and why"). The catalogue remains readable without an account.

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