
Actor
Lila Kaye
Born 1929 · Worthing, Sussex, England, UK
Lila Kaye (7 November 1929 – 10 January 2012) was an English actress. She spent a number of years working in the United States, on Broadway and in television, before returning to England. She often played motherly and/or comedic characters, mostly on television, including Cathy Come Home (1966) as a staff member at a homeless shelter, and My Son Reuben (1975), co-starring Bernard Spear, as a Jewish mother and her bachelor son who jointly run a dry-cleaning business. She also appeared in films including Blind Terror (1971), The Black Panther (1977) and Quincy's Quest (1979), and found film success in later years for her performances in An American Werewolf in London (1981) as the conflicted rural barmaid trying to warn off the two doomed American backpackers, in Nuns on the Run (1990) as a formidable nun, and in Reason for Living: The Jill Ireland Story (1991; an American television film), in which she played Dorothy Ireland, the real-life mother of cancer-stricken actress Jill Ireland (played by Jill Clayburgh).[1] Kaye appeared in Bert Rigby, You're a Fool (1989) as Mrs. Pennington, and in Dragonworld (1994) as Mrs. Cosgrove.
Acting

An American Werewolf in London
Barmaid · 1981

Cheers
Lillian Huxley · 1982

Murder, She Wrote
Teresa Mancini · 1984

Sherlock Holmes
Mrs. Mordecai Smith · 1984

The Saint
Ma · 1962

The Sign of Four
Mrs Mordecai Smith · 1987

See No Evil
Gypsy Mother · 1971

Nuns on the Run
Sister Mary of the Annunciation · 1990

The Canterville Ghost
Mrs. Umney · 1986

Mrs. 'Arris Goes to Paris
Vi Butterfield · 1992

The Fiction Makers
Ma · 1968

Birds of a Feather
Mrs. McCarthy · 1989

A Place to Die
Bess · 1973

Eskimo Day
Mother Polly · 1996

Sredni Vashtar
Mrs. Woolridge · 1981

The Invisible Man
Mrs Jenny Hall · 1984

Theatre 625
Romaine · 1964
Festival
Sophie · 1963

Mama Malone
'Mama' Renate Malone · 1984

Dear John
Audrey · 1988

Making Waves
Mrs Nash · 1987

Pericles, Prince of Tyre
Bawd · 1984

Camille
Nanine · 1984

Cafe Americain
Margaret Hunt · 1993