
Director
Max Ophüls
Born 1902 · Saarbrücken, Saarland, Germany
Maximillian Oppenheimer (6 May 1902 – 26 March 1957) — known as Max Ophüls — was an influential German film director who worked in Germany (1931–33), France (1933–40), the United States (1947–50), and France again (1950–57). He is best known for his smooth camera movements and complex tracking shots. Many of his films are narrated from the point of view of the female protagonist. In addition to the American romantic melodrama Letter from an Unknown Woman (1948), the French productions La Ronde (1950), Le Plaisir (1952), The Earrings of Madame de... (1953) and Lola Montès (1955) are among his best-known works. Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States.
Directed

Letter from an Unknown Woman
Director · 1948

The Earrings of Madame de...
Director · 1953

Le Plaisir
Director · 1952

La Ronde
Director · 1950

Lola Montès
Director · 1955

The Reckless Moment
Director · 1949

Caught
Director · 1949

Liebelei
Director · 1933

Everybody's Woman
Director · 1934

There's No Tomorrow
Director · 1940

From Mayerling to Sarajevo
Director · 1940
Ave Maria de Schubert
Director · 1935

Yoshiwara
Director · 1937

The Novel of Werther
Director · 1938

No More Love
Assistant Director · 1931

A Man Has Been Stolen
Director · 1934

I'd Rather Have Cod Liver Oil
Director · 1931

The Company's in Love
Director · 1932
Writing

The Earrings of Madame de...
Screenplay · 1953

Le Plaisir
Adaptation · 1952

La Ronde
Adaptation · 1950

Lola Montès
Writer · 1955

Everybody's Woman
Screenplay · 1934

There's No Tomorrow
Screenplay · 1940

Yoshiwara
Screenplay · 1937

The Novel of Werther
Adaptation · 1938
Mistress Berta Garlan
Adaptation · 1989

I'd Rather Have Cod Liver Oil
Writer · 1931

Divine
Scenario Writer · 1935

The Bartered Bride
Screenplay · 1932