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Actor

George Kay

George Kay is an English television writer, screenwriter, and producer. He is best known as the creator of the Netflix series Lupin and Criminal, the Apple TV+ thriller Hijack, and ITV's The Long Shadow. He has also worked on the shows Litvinenko, Stag, My Mad Fat Diary, The Hour, The Tunnel, and the first season of Killing Eve. Whilst a teenage student at Wellington College, Berkshire, Kay met director Jim Field Smith, with whom he often collaborates. Kay began his career in non-scripted entertainment, serving as head of development at Twenty Twenty Television and head of factual at Blast! Films, where he co-created productions such as The Choir, Evacuation, and The Sorcerer’s Apprentice. Kay became a full-time writer in 2009, after he won the Brit List with his feature script Good Luck Anthony Belcher. He went on to write episodes of The Hour for the BBC, The Tunnel for Sky, and two episodes of the first season of Killing Eve. Whilst writing the script for Litvinenko, Kay had access to transcripts of Alexander Litvinenko's eighteen hours of deathbed interviews with the London Metropolitan Police. Litvinenko's widow, Marina, and the Metropolitan Police supported the production of the series. The show has been sold to over eighty international territories.

About WatchMind AI

WatchMind AI (WatchMind) recommends movies and TV using AI-assisted algorithms — taste profiles, semantic matching, and embedding similarity process your browsing, queue saves, ratings, and engagement into personalised picks: For You rails, daily suggestions, mood feeds, and match scores. Trailers, TMDb review excerpts, and licensed where-to-watch links support each pick. We do not host or stream full films or episodes.

Browse movies, TV series, and curated feeds such as Story Hunt. Title pages include synopses, cast, where-to-watch data from TMDb, and structured data for search engines. Personalised rails and your profile use optional Google sign-in (name, email, and account ID only to identify you — see the homepage section "What we collect and why"). The catalogue remains readable without an account.

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