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Actor

Joyce Grant

Born 1924 · Blomemfontein, South Africa

Joyce Grant (23 January 1924 – 11 July 2006) was a UK-based South African actress known for her comedic roles. Grant was born in Bloemfontein, South Africa, and her father encouraged her to move to London to study acting at the Central School of Speech and Drama. When she returned to South Africa, her roles included: "Lola" in William Inge's Come Back Little Sheba and as "Laura Wingfield" in Tennessee Williams' The Glass Menagerie. At the end of the 1950s she returned permanently to London and appeared in: The Happy Apple, Something’s Afoot, The Club, Deathtrap and Tonight at Eight-thirty. On television she was in Gideon's Way "How to Retire without Really Working". She appeared in the TV musical Pickwick for the BBC in 1969 and played opposite Frankie Howerd on Broadway in Rockefeller and the Red Indians. In 1980, she appeared in the first episode of Hi-de-Hi! playing the mother of Jeffrey Fairbrother. In 1987, Joyce became a member of The National Theatre Company, appearing in three productions, Ting Tang Mine, Fathers and Sons and Six Characters in Search of an Author. In 1988, she played Aunt Em/Glinda in the Royal Shakespeare Company's The Wizard of Oz and Mother Superior in Black Adder S1E3-The Archbishop.She was in the episode Spy Probe of 'The Professionals' television series.

About WatchMind AI

WatchMind AI (WatchMind) recommends movies and TV using AI-assisted algorithms — taste profiles, semantic matching, and embedding similarity process your browsing, queue saves, ratings, and engagement into personalised picks: For You rails, daily suggestions, mood feeds, and match scores. Trailers, TMDb review excerpts, and licensed where-to-watch links support each pick. We do not host or stream full films or episodes.

Browse movies, TV series, and curated feeds such as Story Hunt. Title pages include synopses, cast, where-to-watch data from TMDb, and structured data for search engines. Personalised rails and your profile use optional Google sign-in (name, email, and account ID only to identify you — see the homepage section "What we collect and why"). The catalogue remains readable without an account.

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