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James Fotopoulos portrait

Director

James Fotopoulos

Born 1976 · Norridge - Illinois - USA

Born in Norridge, IL in 1976, James Fotopoulos is a filmmaker who began production on his first feature-length film, ZERO (1997), in 1995. In 1998, he founded Fantasma for the production of his second feature, Migrating Forms (1999), and would continue to create a number of critically acclaimed narrative feature films, such as Back Against the Wall (2000), Families (2002), The Nest (2003) and Dignity (2012). Along with his narrative productions, Fotopoulos has created a prolific body of over 200 non-narrative films, which include Christabel (2001), Esophagus (2004), The Mirror Mask (2005), The Sky Song (2007) and Alice in Wonderland (2010). These works range from feature length to a few seconds long and combine an exhaustive portfolio of visual art and performance techniques. Fotopoulos' work received a retrospective at the Anthology Film Archives; premiered at the Museum of Modern Art, MoMA PS1, Festival del Film Locarno and the Museum of Art and Design; and was screened and exhibited widely at a number of film festivals, museums, and sites, such as Rotterdam International Film Festival, Sundance Film Festival, London Film Festival, Whitney Biennial, Walker Art Center, and the Andy Warhol Museum, among many others.

About WatchMind AI

WatchMind AI (WatchMind) recommends movies and TV using AI-assisted algorithms — taste profiles, semantic matching, and embedding similarity process your browsing, queue saves, ratings, and engagement into personalised picks: For You rails, daily suggestions, mood feeds, and match scores. Trailers, TMDb review excerpts, and licensed where-to-watch links support each pick. We do not host or stream full films or episodes.

Browse movies, TV series, and curated feeds such as Story Hunt. Title pages include synopses, cast, where-to-watch data from TMDb, and structured data for search engines. Personalised rails and your profile use optional Google sign-in (name, email, and account ID only to identify you — see the homepage section "What we collect and why"). The catalogue remains readable without an account.

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