
Director
Hideo Sekigawa
Born 1908 · Sado, Niigata Prefecture, Japan
Hideo Sekigawa (関 川 秀雄, Sekigawa Hideo, 1 December 1908 – 16 December 1977) was a Japanese film director known mainly for films with a left-wing agenda made in the late 1940s and early 1950s. His most noted works are the anti-war films Listen to the Voices of the Sea (1950) and Hiroshima (1953). Hideo Sekigawa joined the documentary branch of P.C.L. film studios (later Toho) in the 1930s where he worked on militarist propaganda films despite his Communist leanings. After the Second World War, Sekigawa debuted as co-director of the pro-unionist Those Who Make Tomorrow (1946) which was intended to illustrate the purpose of the workers' union at the Toho film studios. Having difficulties finding work due to his political leanings, he directed the anti-war film Listen to the Voices of the Sea for Mitsuo Makino's Toyoko Eiga company (later Toei Company). For the Japan Teachers Union, which had been unhappy with Kaneto Shindo's Children of Hiroshima for not being political enough, he directed Hiroshima (1953) in a semi-documentary style, parts of which were later used (uncredited) by Alain Resnais for his drama Hiroshima mon amour. In later years, Sekigawa's output included both audience-orientated genre works and documentaries. His last film was the 1969 Chōkōsō no Akebono.
Directed

Hiroshima
Director · 1953

Those Who Make Tomorrow
Director · 1946
Chikagai nijuyojikan
Director · 1947

Devil in My Flesh
Director · 1968

Fuji Takeshi monogatari: Yamato-damashii
Director · 1968

Beyond the Seasonal Wind
Director · 1958

White Heron
Assistant Director · 1941

Tokyo Untouchable: Escape
Director · 1963

The Boy Detectives Club – The Iron Fiend
Director · 1957

Dupe
Director · 1965

Seishun no oto
Director · 1956

Roar and Earth
Director · 1957

The Great Road
Director · 1960

Shonen Tanteidan: Kabu to Mushi no Yoki
Director · 1957
Senka o koete
Director · 1950
Tattooed Temptress
Director · 1968

Vermin
Director · 1965

Listen to the Voices of the Sea
Director · 1950