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Community reviews
From TMDb members · 1 total- CinemaSerf7/10
"Kameda" (Masayuki Mori) is a Japanese soldier suffering from what looks like a degree of PTSD after he only narrowly escaped a firing squad for a crime he did not commit in his country's war with Russia. His mental status is distinctly precarious when he heads home. Along the wa…
Full text & links on TMDb in the reviews section below.
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The Idiot
70%
Movie
2h 46m
AI Analysis
The Idiot (1951) — AI movie analysis
WatchMind AI generated this AI analysis of The Idiot (1951) — a movie tagged as Drama and Romance with epic and emotional moods and slow-burn pacing.
Story & themes: A gentle, war-shattered ex-soldier, Kinji Kameda, arrives in wintry Hokkaidō and is pulled into a volatile tangle of love and pity between the disgraced Taeko Nasu, the proud Ayako, and his possessive friend Akama. Kameda’s saintly compassion exposes everyone’s wounds, steering the quartet toward jealousy, violence,… Our models also surface themes such as ai and war from synopsis and genre signals.
Watch context: Best suited for date night and solo focused viewing. Expect slow-burn storytelling (~166 min).
Community signal: TMDb members rate The Idiot 70% (127 votes) — solid community ratings for this movie.
AI verdict
The Idiot is a film worth prioritising when you want something with solid community ratings — our AI analysis flags it as a strong match for its genre and tone profile.
Preview on this device: 33% match — Matches your tearjerker mood + drama. Sign in to save your profile across devices.
Algorithmic AI analysis from genres, synopsis, pacing heuristics, and TMDb community scores — not a generative chatbot. How WatchMind works.
Insights
Audience & engagement
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TMDb audience score
70%
from 127 TMDb votes
Taste match (this device)
33%match
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Matches your tearjerker mood + drama
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Synopsis
A gentle, war-shattered ex-soldier, Kinji Kameda, arrives in wintry Hokkaidō and is pulled into a volatile tangle of love and pity between the disgraced Taeko Nasu, the proud Ayako, and his possessive friend Akama. Kameda’s saintly compassion exposes everyone’s wounds, steering the quartet toward jealousy, violence, and inexorable tragedy. Adapted from Dostoevsky’s novel.
Quick facts
- Type
- Movie
- Status
- Released
- Release date
- 1951-05-23
- Runtime
- 2h 46m
- TMDB rating
- 7.0
- TMDB ID
- 24774
Watch & discovery tips
- Read TMDb member reviews in the reviews section, and audience tips from other WatchMind visitors in Audience notes.
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Frequently asked questions
Where can I watch The Idiot (1951)?
The Idiot is available for discovery on WatchMind. You can find official links to rent, buy, or stream from licensed digital stores like Apple TV and Amazon in our "Where to Watch" section.
Is there an official trailer for The Idiot?
Yes, you can watch the official trailer for The Idiot directly on this page. We pull the latest video metadata from TMDb and play it via YouTube integration.
What is The Idiot about?
A gentle, war-shattered ex-soldier, Kinji Kameda, arrives in wintry Hokkaidō and is pulled into a volatile tangle of love and pity between the disgraced Taeko Nasu, the proud Ayako, and his possess... This is the official synopsis available via TMDb community metadata.
Is there an AI analysis for The Idiot?
Yes. WatchMind publishes an AI analysis on this page — tone, pacing, audience fit, and community scores from TMDb metadata and recommendation models (not a chatbot). Scroll to the AI Analysis section or read the meta description summary.
How long is the movie The Idiot?
The official runtime for The Idiot is approximately 166 minutes.
Cast & crew
Names and photos from The Movie Database (TMDb). Follow links on themoviedb.org for full filmographies.
Directors & writers
Cast

Setsuko Hara
Taeko Nasu

Masayuki Mori
Kinji Kameda

Toshirō Mifune
Denkichi Akama

Yoshiko Kuga
Ayako

Takashi Shimura
Ono, Ayako's father

Chieko Higashiyama
Satoko, Ayako's mother

Eijirō Yanagi
Tohata

Minoru Chiaki
Mutsuo Kayama, the secretary

Noriko Sengoku
Takako

Kokuten Kōdō
Junpei

Bokuzen Hidari
Karube

Eiko Miyoshi
Madame Kayama
- C
Chiyoko Fumiya
Noriko
- M
Mitsuyo Akashi
Madame Akama

Daisuke Inoue
Kaoru
- F
Fumio Tooyama
- J
Jun Yokoyama
- A
Atsumi Nakama
Audience notes
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Community reviews
Written by TMDb members — same catalogue as our movie & TV metadata. API terms
"Kameda" (Masayuki Mori) is a Japanese soldier suffering from what looks like a degree of PTSD after he only narrowly escaped a firing squad for a crime he did not commit in his country's war with Russia. His mental status is distinctly precarious when he heads home. Along the way he encounters the savvy "Akama" (an on-form Toshirô Mifune) who is also a man on a bit of a mission - to wed his sweetheart "Taeko" (Setsuko Hara) who has been the kept woman of an older man for many a year. She is effectively put up for sale, and her potential buyer is a man - "Kayama" (Minoru Chiaki) - who is associated with a man who might be able to help "Kameda" reintegrate, but who is also in love with the feisty and head-strong "Ayako" (Yoshiko Kuga). The course of true love never runs smoothly and, upon meeting, she and "Kameda" find themselves drawn to each other. Now without giving too much away, the remainder of the film is an intricately constructed adaptation of Dostoyevky's original story of love, deception, integrity and loyalty that requires concentration and pays off if you do. It deals well with the implications of wartime illnesses and of the role of women in a society that still regarded them as (porcelain) chattels - as well as proving us with a more traditional, good old, love-triangle scenario. It is entertainingly structured with intensity and a degree of humour woven into a character study that offers a myriad of personalities and no obvious "right answer". What soon becomes clear though, is that the eponymous moniker attributed to "Kameda" is as ill-applied as could be. The photography amidst the snow-capped mountains of Sapporo is effective as a conduit for some of the emotional barren-ness and the score compliments well the evolving, frequently stalling, story that meanders towards a conclusion that ultimately demonstrates that a strong and characterful cast and a great story can easily carry almost 2¾ of cinema effortless and engagingly. Certainly worth a big screen viewing if you can. Well worth it.
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