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Community reviews
From TMDb members · 1 total- StamS7/10
A dry film that fails to highlight the true face of the emerging phenomenon of Nazism in Europe. Greengrass (director and screenwriter) tries (and succeeds in some scenes) to shock, but this is not enough for the viewer to understand how dangerously neo-Nazi ideology has infected…
Full text & links on TMDb in the reviews section below.
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22 July
“The true story of a day that started like any other”
71%
Movie
2h 23m
AI Analysis
22 July (2018) — AI movie analysis
WatchMind AI generated this AI analysis of 22 July (2018) — a movie tagged as Crime, Drama, and History with tense and epic moods and slow-burn pacing.
Story & themes: On 22 July 2011, neo-Nazi terrorist Anders Behring Breivik murdered 77 young people attending a Labour Party Youth Camp on Utøya Island outside of Oslo. This three-part story focuses on the survivors, the political leadership of Norway, and the lawyers involved. Our models also surface themes such as identity, conflict, and relationships from synopsis and genre signals.
Watch context: Best suited for solo focused viewing. Expect slow-burn storytelling (~143 min).
Community signal: TMDb members rate 22 July 71% (1,259 votes) — solid community ratings for this movie.
AI verdict
22 July is a film worth prioritising when you want something with solid community ratings — our AI analysis flags it as a strong match for its genre and tone profile.
Preview on this device: 27% match — Matches your tense mood + drama. Sign in to save your profile across devices.
Algorithmic AI analysis from genres, synopsis, pacing heuristics, and TMDb community scores — not a generative chatbot. How WatchMind works.
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Audience & engagement
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TMDb audience score
71%
from 1.3k TMDb votes
Taste match (this device)
27%match
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Matches your tense mood + drama
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Synopsis
On 22 July 2011, neo-Nazi terrorist Anders Behring Breivik murdered 77 young people attending a Labour Party Youth Camp on Utøya Island outside of Oslo. This three-part story focuses on the survivors, the political leadership of Norway, and the lawyers involved.
Quick facts
- Type
- Movie
- Status
- Released
- Release date
- 2018-10-04
- Runtime
- 2h 23m
- TMDB rating
- 7.1
- TMDB ID
- 474354
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Frequently asked questions
Where can I watch 22 July (2018)?
22 July is available for discovery on WatchMind. You can find official links to rent, buy, or stream from licensed digital stores like Apple TV and Amazon in our "Where to Watch" section.
Is there an official trailer for 22 July?
Yes, you can watch the official trailer for 22 July directly on this page. We pull the latest video metadata from TMDb and play it via YouTube integration.
What is 22 July about?
On 22 July 2011, neo-Nazi terrorist Anders Behring Breivik murdered 77 young people attending a Labour Party Youth Camp on Utøya Island outside of Oslo. This three-part story focuses on the survivo... This is the official synopsis available via TMDb community metadata.
Is there an AI analysis for 22 July?
Yes. WatchMind publishes an AI analysis on this page — tone, pacing, audience fit, and community scores from TMDb metadata and recommendation models (not a chatbot). Scroll to the AI Analysis section or read the meta description summary.
How long is the movie 22 July?
The official runtime for 22 July is approximately 143 minutes.
Cast & crew
Names and photos from The Movie Database (TMDb). Follow links on themoviedb.org for full filmographies.
Directors & writers
Cast

Jonas Strand Gravli
Viljar Hanssen

Anders Danielsen Lie
Anders Behring Breivik

Jon Øigarden
Geir Lippestad

Seda Witt
Lara Rashid

Ola G. Furuseth
Prime Minister Stoltenberg

Maria Bock
Christin Kristoffersen

Isak Bakli Aglen
Torje Hanssen

Thorbjørn Harr
Sveinn Are Hanssen

Marit Andreassen
Prime Minister Aide

Øystein Martinsen
Prime Minister Aide

Valborg Frøysnes
Prime Minister Aide

Thor-Harald Normann
Simon Sæbø

Anders Kulsrud Storruste
Anders Kristiansen

Monica Borg Fure
Utøya Camp Leader

Mathias Eckhoff
Utøya Security
- S
Selma Strøm Sönmez
Bano Rashid

Hilde Olausson
Breivik's Mother

Lena Kristin Ellingsen
Signe Lippestad
Audience notes
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Community reviews
Written by TMDb members — same catalogue as our movie & TV metadata. API terms
A dry film that fails to highlight the true face of the emerging phenomenon of Nazism in Europe. Greengrass (director and screenwriter) tries (and succeeds in some scenes) to shock, but this is not enough for the viewer to understand how dangerously neo-Nazi ideology has infected the Western world. The creators seem to believe that simply narrating such a senseless act is enough to awaken viewers, but they are wrong. To truly understand both the sick essence and the causes that are bringing this monstrous ideology back to the forefront, we need to look in the mirror. We need to understand and, consequently, accept that the root of Nazism lies in the heart of the societies we have built around us. Nazism did not fall from the sky. Breivik did not fall from the sky, nor was he born from a metaphysical Hell. He was born, raised, and lives among us. He is our neighbour. He is the one who usually says "we need a Franco," "under the military Junta everyone had a job," "I have no problem with illegal immigrants, but...". That is why, in my opinion, the only intensely bright spot of the film is Breivik's last line to his lawyer at the end of the film. A line that concludes a conversation between the two of them, in which the lawyer seemingly wins on points, as he chooses not to respond to this line. "You don't even see us." This line encapsulates the whole problem of European Nazism, as the vast majority of our fellow citizens choose to turn a blind eye to all of this. We choose to look the other way, to pretend we didn't see how the supermarket clerk spoke to the immigrant customer, not to react to the bus driver when he unreasonably forces the refugee child off the vehicle, to continue getting our information from journalists who whitewash fascists at every opportunity, offering them a platform to utter lies sprinkled with half-truths. Europe has turned a blind eye. It has chosen not to see Nazism in France, Italy, Sweden, the UK, Germany, Greece, Ukraine, Hungary, and other countries because it considers other problems more important. And to a certain extent, it is right. Nazism is not the most important problem. But it is the most deafening alarm that everything is wrong: the bail out of banks, the violation of human rights, the abolition of labour rights, austerity policies, in short, the abandonment of citizens to the mercy of capital and economic growth. And all this with the complicity of our own awkwardness and inaction. So, we don't even see them, because we have more important problems to deal with and because in our dizziness and panic as we drown, we will grab anything that even faintly appears as something that can keep us afloat. Many will grasp the weight of Nazism and drag down with them those around them, just as happened 90 years ago.
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